Widespread exhibition Praise of the Limit

The color of the lake reflects the colors of the sky, sometimes it is intensely blue, often green, it grays with the clouds becoming almost aluminum, a surreal indecipherable mirror.

When the wind blows from the east - south / east, the surface of the water begins to ripple, the waves mount and break on the beaches and rocks of Desenzano dragging to the shore what has been torn from the bottom.

A changing palette, while what had been deposited on the seabed, natural and otherwise, returns to show itself. The contrast between nature and culture, between natural civilization and human incivility are expressed here in a play of fabrics and colours, where the lake becomes a living body, in which the two dimensions merge into a symbolic anthropocene to oppose. The recycled fabrics, clothes and fabrics, used to reproduce the different colors between blue, green and brown, represent the mix and exchange between the lake and the external environment. They express the deep iridescent beauty of the lake, but allow us to glimpse the fragility that emerges from an environment put at risk by human beings. Clothes are both water and waste, resource and danger.

Moving after moving, the inherited furniture travels, climbs stairs, explores attics, garages, living rooms, requires effort and sweat from those who move them to then be forgotten under dusty sheets somewhere unknown.

Tired of all this, the furnishings come alive and come to life, transforming themselves into the legendary "dragon of the living room", the mythological being that claims its importance and the desire to continue to be an object of use.

A work that makes us think about our lifestyles and our way of buying and consuming, which generates waste and waste and exploits the precious resources that the Earth offers us.

Recovery and reuse are the way to preserve Nature and reduce our impact on the environment.

“There is a lake in Lake Galda! Indeed no, on a plato of Lake Galda! He's a shy and shy guy, even if he looks a little scary. Sliscia here, sliscia there, you never know where it ends there. The only thing about it is that with its embarrassed glans, it doesn't know what to read about it..."

On the lake and seabed the tires lie, immortal as mythological animals, such as dragons. Still, they wouldn't be so dangerous if we didn't throw them out there, eternally deforming our underwater landscapes. Physically bringing a problem to the surface, finding a playful language to tell it to children too, showing that there is only what is scary that human beings do, but which can change, is the goal of this ecological work that it chooses to strike the simplicity of the nursery rhyme.

This work unfolds between history and mythology. The labyrinth is a tribute to the values that this place expresses.

Physically it symbolizes the difficult path that the Women of the Constituent Assembly have undertaken in order to follow their ideals. Metaphorically it tells the complex path that contemporary man must face to find solutions to defend an ecosystem increasingly under attack and at risk of survival.

Even in this labyrinth, however, there is a way out. As in all systems it is necessary to find the trace and once identified the journey will be easier: there is still hope, we must not give up, but learn and change course.

Delicate plays of light, transparencies that recall the shades of green and blue, motifs that chase each other to form sinuous dances.

ABOVE the lake is the representation of a glimpse of the bottom of Lake Garda and the aquatic plants that inhabit it.

The work aims to bring to light what the human eye cannot see: the suffering of our seabed, caused by pollution.

An installation to reflect on the importance of protecting the environment that surrounds us and that is not always visible at first glance, such as aquatic plants, fundamental reserves of oxygen and nourishment.

The recycled materials chosen by the artist recall the transparency of water, a symbol of purity and source of life.